As a Director of Photography just starting a new project, most times I read the script and have creative meetings with the Director about the look of the film and how to best capture that look. I try to do as much camera/lens testing as possible, have more meetings, and finally come up with a camera package that fits the look of the film as well as the budget. In the case of Passport, as I was reading the script, the only camera that was going through my mind was the Digital Bolex D16.
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