DSLR.Bot and Venice HDR Images

[dc]I[/dc]n the on-going battle between Nikon and Canon owners as to which camera is better, one feature that I, a devoted Canon owner, have lamented is Nikon’s ability to bracket to 5 images as opposed to Canon’s 3, which becomes a real drawback when making High Dynamic Range (HDR) images. But now there is a new iPhone/iPad app that allows me to extend the number of images captured for HDR to as many as 20, and I have only begun to experiment with it. Continue reading “DSLR.Bot and Venice HDR Images”

Forced Perspective in Motion Photography

forced perspective
I shot this in-camera forced perspective image as a test

[dc]C[/dc]an you teach new dogs, old tricks? It seems these days if you want to show something out of the ordinary in your film or video project, the default option is to composite, green screen, photoshop, or fix and create images in post, on a computer, in a digital realm. But before the days of instant-gratification cameras and super fast, powerful and affordable computers, a lot of special effects had to be created “in-camera”, meaning they were accomplished with lighting, optics and physics, which are the key elements in creating forced perspective images. In this article I’ll go over some history of the technique and show you how I used it recently. Continue reading “Forced Perspective in Motion Photography”