It used to be a writers town and it’s always been a fighter’s town. For writers and fighters and furtive torpedoes, cat-bandit, baggage thieves, hallway headlockers on the prowl, baby photographers and stylish coneroos, this is the spot that is always most convenient, being centrally located, for settling ancestral grudges. Whether the power is in a .38, a typewriter ribbon or a pair of six-ouncers, the place has grown great on bone-deep grudges: of writers and fighters and furtive torpedoes.
—Nelson Algren
Chicago: City On The Make
On a blue moon New Years eve Night in Chicago I wanted to get some more images of my hometown, so before going to the year end celebrations I wandered around the downtown river front until it got too cold. And at 17 degrees, that was a very short time and made the long exposures seem much longer.
The thing I like most about making images in a city at night are the colors, and in Chicago that generally means a golden straw colored hue juxtaposed with cooler tones in the buildings and sky.
Click on the images to see a lightbox of larger images.
I’m told it’s a four-hour drive from Shreveport to Baton Rouge, but my recent run-in with Louisiana Highway Patrol has me setting the cruise control to keep me traveling at a safely under-the-radar ramble through the forests and over the bayou’s of this lovely state, and it actually takes me slightly closer to five hours to get to my destination, which is a lighting rental house where we will load a 40′ trailer with the the tools of our trade.
Baton Rouge is the state capitol of Louisiana, sits along the banks of the Mississippi River, and it is quite apparent that most of the activity here centers around the campus of the Louisiana State University, and, at least this week, that means football. It’s a big game weekend where the LSU Tigers are hosting their mortal enemy, the Florida Gators and the town seems just on the verge of going crazy. Frat houses are being completely wrapped with thick black plastic sheeting either to hold out, or hold in the enthusiastic revelers (I haven’t figured that one out yet), little tent villages are springing up on every available lawn, and there is a total ban on parking anywhere near the campus, so in my spare few minutes of time for exploring, I head toward the city center.
The former state Capitol building in downtown Baton Rouge
This beautiful building which resembles a castle, is the former state Capitol building and now functions as a History museum. Directly across the street from it is an old railroad terminal that also serves as a museum, and the Mississippi River. Mississippi River from Baton Rouge
No Swimming in Baton Rouge University Lake, Baton Rouge, LA
I had to stop and get one photo of University Lake, which sits on the eastern edge of the campus of LSU before heading back toward Shreveport. You can barely see the remnants of a double rainbow outside of Lafayette
For the three days we were in Baton Rouge it was very hot and humid with big billowy cumulus clouds hanging lazily in the sky, but as we crossed over the Mississippi River on our way back to Shreveport, the skies clouded over and we found ourselves in a driving rain with hellbent wind that kept tossing our car around the freeway. This went on for about 45 minutes until we stopped outside Lafayette for gas and the rain stopped and this gorgeous double rainbow appeared.
Pre-production for the latest feature film I am working on has begun in and around Shreveport, LA, a city built on oil money which seems to be fairly wet, with lush green landscapes and some of the prettiest sunsets I have seen in awhile. Hopefully I will find an interesting point of view of this place over the next 2 months and, through my lens, bring it to you.
Scott "Scooter" Hillman, Key Grip and former trapeze artist
A lot of the buildings seem to be crumbling well before their time in this part of the country, as if they get saturated with all the humidity and rain, and then the real storms come through and just tear open the already weakened structures.
The last curtain has fallen on this theaterKen Ballantine, Lighting Best Boy, and his mosquito protection
And then there are the mosquitos. This Pump Jack is deep in some woods near Oil City, LA and apparently the center of all things Mosquito. In this photo Ken Ballantine, our Best Boy, models the latest in personal Mosquito attire. They are so thick in this wood that they practically create a haze in the air, in fact they are so dense that you cannot eliminate their bites, you can only minimize them.
One of my favorite things to do is wander around a great city at night with my camera. One night last week I found some cool colors and textures in Chicago.
I got my new 5D Mark II a few days ago and I haven’t been as thrilled by new machinery as I have been about this in quite awhile. Without getting into all the really cool things that make this camera great (see any one of a million articles already published on the internet or in magazines), I have my own needs for this device and one of them is the ability to shoot 1080i HD video with my own compliment of Canon glass and get luscious, shallow DOF shots. Mostly I will be using the camera to shoot episodes of the firehouse cooking show Feeding The Fire, and the biggest concern for me has been sound, so I found a solution that works best for me.
The problems with sound on the 5D mark II is the tiny internal mic that picks up everything in a large radius around the camera, which is not good for recording dialogue, or anything else you want to use as a soundtrack for that matter, and the camera’s lack of control over audio recording, leaving the user with the less than desirable auto-gain only. The latter seems to be solved by a firmware update being offered by Magic Lantern. I say that is seems to be solved because the firmware is not quite ready for general release (see their wiki for more info), but it looks very hopeful as the option to give us audio control until Canon comes around to the idea, but if the history of the L1 sound issues are any indication, they will be in no hurry.
5D Mark II with Sound rig
The solution for me seemed simple enough: I have a short shotgun mic that has been working great for me for years, and so I got a hot-shoe mounted shock mount to hold the mic above the lens, but needed a power supply for it. I wanted to stay away from the manufactured adapter boxes by Beachtek and Juiced because I think they are pretty pricey and relatively noisy. So I went with a clean sounding PSC 48V phantom power supply and a balanced to stereo mini plug adapter made by the good folks at Coffee Sound in Los Angeles. This gave me the ability to record clean audio, but the physical setup was to have the 48V PH on my belt with cables going from mic, to belt and back to the camera. I immediately thought of the high repair bills as I imagined all the ways this setup could cause the little mini plug to be ripped from the camera, not to mention the sheer inconvenience of it all, especially shooting documentary style when speed is all important.
So I opened the 48V PH box to get a look at where the electronics where and where I could punch some holes. A couple of minutes with some drill bits, a 2″ 1/4-20 screw and a locking ring to keep it from falling out, some flat cork, and I had a way to attach it nicely to the bottom of my camera. One more hole and a 1/2″ screw and I had the quickplate for my tripod attached to the bottom of the box and I was ready to go.
I just shot an episode of Feeding The Fire in River Grove, IL and this setup worked great. The images are incredible: the shallow depth of field give it a rich texture and the sound is just perfect.
This week I took a trip out to the Salton Sea to try and find a place I had been to 10 or 12 years ago, where the sea had encroached on a small town and partially gobbled up several of the buildings. I thought this would be a great place to make some more images and practice my new found HDR techniques.
Unfortunately (or fortunately for the folks who live there) the interesting place I was looking for no longer exists. Some years ago they had built a berm around the town to hold the water back and destroyed all the buildings that had been eaten away by the extremely salty water.
Jakob on the berm at Bombay Beach
That’s the thing about adventures, you have to expect them to be disappointing sometimes. But the bright side is that I got some more pretty cool images, like the one above of my friend from Copenhagen, Jakob, standing atop the berm.
As I learn more about HDR I think my images will get better. I knew enough to look for the high contrast scene like the one above which, using typical photography would have been a blue sky with silhouettes of the berm and Jakob.
” alt=”” border=”0″ />Two Harleys on Rt 78
I have some more images from this trip to work on, but I’ve got to get to work, so more later…
Bits. That is what it all comes down to: bits of color information. The more bits per pixel, the closer an image gets to the range we can see by eye. These days that number is 32, and generally requires several exposures from a digital camera to reach that depth. I remember the first High Dynamic Range (HDR) image I saw. It was a spectacular photo of a crane in a Japanese shipping yard, with hyper-real colors and a sharpness that made it look pretty much like an illustration.
Technically though, that wasn’t the first HDR image I had seen. This may sound like an unfair comparison but most of Ansel Adams photos were HDR. Sure it’s analog and can’t be measured in bits but the tonal range that Pier he managed to squeeze out of the process was at least as spectacular; more so when you consider his methods were blindly based on notions of zones, a complete understanding of the chemistry involved, and all the darkroom skills it took in getting the image from negative to paper. But that is not what this is about… yet. I just took my first step into the world of HDR today, on a beautifully crisp day in southern California, and came up with a couple images without too much hassle at all.
” alt=”” border=”0″ />
